Art Deco and Functionalism
Glamour and luxury in Art Deco – and the functionalism of the Swedish people's home. Two answers to the question of what the modern should look like.
The 1925 exhibition in Paris, the Exposition internationale des arts décoratifs, gave Art Deco its name. The style was elegant and luxurious, with geometric patterns, exotic woods, chromed metal and zigzags inspired by Egypt and the Aztecs.
At the same time functionalism was spreading. Le Corbusier, Mies van der Rohe and Eileen Gray designed tubular steel furniture and white houses, and Alvar Aalto in Finland showed that modernism could be warm, in bent birch.
In Sweden the Stockholm Exhibition of 1930 launched functionalism, and the manifesto acceptera followed the next year. Josef Frank and Svenskt Tenn created a softer, colourful modernism, and Orrefors and Gustavsberg became internationally known.
- Paris 1925 – the exhibition that gave a style its name
- Luxury: ebony, lacquer and ocean liners
- From Beauty for All to More Beautiful Everyday Things
- The Stockholm Exhibition of 1930 and funkis
- Aalto and warm modernism – and streamlining in the United States
- Close reading: the Barcelona Pavilion and the Barcelona Chair
- The women behind modern form
- Posters, typefaces and the New Typography
- Posterity: rediscovery, preservation and criticism
- Ludwig Mies van der Rohe
- Le Corbusier
- Charlotte Perriand
- Eileen Gray
- Alvar Aalto
- Josef Frank
- Carl Malmsten
- Edward Hald