De Stijl, the Bauhaus and modern form
After the First World War designers wanted to build a new world: straight, honest, industrial and accessible to all.
De Stijl in the Netherlands, with Piet Mondrian and Gerrit Rietveld, sought to reduce everything to right angles and primary colours. Rietveld's Red and Blue Chair is a three-dimensional Mondrian.
The Bauhaus was founded in Weimar in 1919 by the architect Walter Gropius. The school united art, craft and industry, and teachers such as Kandinsky, Klee, Moholy-Nagy and Marcel Breuer taught there. Marianne Brandt made teapots and lamps that became classics.
In the Soviet Union the Constructivists designed posters, textiles and workers' clubs for the revolution. What they all shared was the belief that form should follow function and that design could improve society.
- The Deutscher Werkbund – artists meet industry
- De Stijl – the world in right angles
- Close reading: the Rietveld Schröder House in Utrecht
- The Bauhaus – a school for a new age
- Constructivism: design for the revolution
- Classics from the workshops
- The house as machine and the kitchen as laboratory
- The New Typography: letters for a new age
- Women in modernism
- More Beautiful Everyday Things: modernism in the Nordic countries
- Gerrit Rietveld
- Walter Gropius
- Marianne Brandt
- Marcel Breuer
- Anni Albers