The post-war era
The center of the art world moved to New York, and painting became an act.
After the Second World War, New York became the center of the art world. The Abstract Expressionists – Pollock, de Kooning, Rothko – painted huge canvases in which the gesture or the field of color was everything.
In Europe, Concrete artists, the painters of Art Informel and the Cobra group worked with abstraction and spontaneity. Giacometti and Bacon gave form to existential anguish after the horrors of the war.
Around 1960 Pop Art turned its gaze to advertising, comics and celebrities – Warhol, Lichtenstein, Hockney. Minimalism stripped away everything personal, and happenings and Fluxus turned art into an event. Sweden, too, gained a place on the international map with the Moderna Museet in 1958.
- Pollock, Rothko and the New York School
- The critics and the women who had to wait
- Europe after the catastrophe
- The breakthrough of Pop Art
- Minimalism, happenings and the golden age of the Moderna Museet
- Close reading: Warhol’s soup cans
- In the studios of Giacometti and Bacon
- The Cold War, documenta and cultural policy
- Beyond New York: Gutai, Brazil and new centers
- Sweden and the Nordic countries after the war
- Siri Derkert
- Henry Moore
- Lucio Fontana
- Alberto Giacometti
- Barbara Hepworth
- Mark Rothko
- Willem de Kooning
- Evert Lundquist
- Francis Bacon
- Olle Baertling
- Louise Bourgeois
- Jackson Pollock
- Agnes Martin
- Asger Jorn
- Lennart Rodhe
- Joseph Beuys
- Karl-Axel Pehrson
- Lucian Freud
- Roy Lichtenstein
- Olle Bonniér
- Robert Rauschenberg
- Öyvind Fahlström
- Yves Klein
- Andy Warhol
- Helen Frankenthaler
- Donald Judd
- Barbro Östlihn
- Jasper Johns
- Bridget Riley
- David Hockney
- Amrita Sher-Gil