Contemporary art
Art left the canvas behind: ideas, bodies, landscapes, video and entire rooms.
From the 1960s and 70s on, the idea often mattered more than the object. Conceptual art, performance, land art and installation took art out of the frame – Abramović used her body, Smithson the landscape, and Christo wrapped buildings.
In the 1980s painting returned with Neo-Expressionists such as Kiefer and Basquiat. Postmodernism borrowed, quoted and questioned, and photographers such as Cindy Sherman explored identity and roles.
Today the art world is global, and artists work with everything from video and light to craft and digital works. Questions of climate, identity, power and history are central. At the same time, women and previously overlooked artists, such as Hilma af Klint, have been written into history.
- When the idea became the work
- Feminism, identity and the rewriting of the canon
- The return of painting and the market’s records
- A global art world and museums under scrutiny
- Sweden, the Nordic countries and the new media
- Close reading: Olafur Eliasson’s artificial sun
- The shark, the bed and the Turner Prize
- Public art and sites of memory
- Museums as buildings: from the Pompidou to Bilbao
- Gerhard Richter
- Carl Fredrik Reuterswärd
- Christo
- Lena Cronqvist
- Robert Smithson
- Richard Serra
- Ola Billgren
- Marie-Louise Ekman
- Anselm Kiefer
- Barbara Kruger
- Marina Abramović
- Peter Tillberg
- Cindy Sherman
- Anish Kapoor
- Cecilia Edefalk
- Jeff Koons
- Dan Wolgers
- Ernst Billgren
- Keith Haring
- Jean-Michel Basquiat
- Karin Mamma Andersson
- Ann-Sofi Sidén
- Jockum Nordström
- Tracey Emin
- Damien Hirst
- Olafur Eliasson
- Nathalie Djurberg
- The present day – Architecture